Ok, this is just weird, although I have to give the “artist” props for originality, even if it strikes me as some sort of bizarre attempt at borderline necrophilia-slash-bestiality.
Then again, maybe I don’t.
Ok, this is just weird, although I have to give the “artist” props for originality, even if it strikes me as some sort of bizarre attempt at borderline necrophilia-slash-bestiality.
Then again, maybe I don’t.
I just found out that my good friend Kelly from Millsaps (who I haven’t seen in months; I think she’s hiding from me) has a cool website with pictures of her various and sundry artistic projects. And if you’re in the Chicago area, I’m told that she has a gallery show coming soon.
Just don’t let her paint your house… I think she’ll turn it orange.
I apparently missed the big excitement in the Chicago art scene last week; the Secret Service, however, didn’t:
Organizers of a politically charged art exhibit at Columbia College’s Glass Curtain Gallery thought their show might draw controversy.
But they didn’t expect two U.S. Secret Service agents would be among the show’s first visitors.
The agents turned up Thursday evening, just before the public opening of “Axis of Evil, the Secret History of Sin,” and took pictures of some of the art pieces—including “Patriot Act,” showing President Bush on a mock 37-cent stamp with a revolver pointed at his head.
When isn’t a death threat a death threat? When it’s an artistic statement, apparently. Thankfully, exhibit curator Michael Hernandez de Luna has his priorities straight:
“It frightens me… as an artist and curator. Now we’re being watched,” Hernandez said. “It’s a new world. It’s a Big Brother world. I think it’s frightening for any artist who wants to do edgy art.”
Hernandez said he hopes the public sees the exhibit as a whole—and not just about one man or even one country. Some works Hernandez thought would be more controversial challenge Pope John Paul II and the Catholic Church. Others look at Nazi Germany and the killing fields in Cambodia.
He refused to talk about the 2001 incident, when he was suspected of being involved in a fake anthrax stamp that shut down an area of Chicago’s main post office. Hernandez and another Chicago artist routinely sent fake stamps through the mail, then sold them for thousands of dollars.
Man, I can so feel my free speech rights being trampled even from here.
Update: Jeff Quinton, who inexplicably hasn't trackbacked, has a roundup of posts.
Meanwhile, this guy doesn't seem to get the point; if I create an image of the president (George Bush, Bill Clinton, whoever) with a gun to his head, I'd pretty much expect a visit from law enforcement; there's this little thing called incitement to imminent lawless action, you know. If the image were of John Kerry or Hillary Clinton, I’d imagine the David Niewarts of the world would be screaming for the feds to investigate—and I’d agree with them.
This is some pretty damn hideous carpet, even by institutional standards—my grad student office at Ole Miss had hideous carpet too, but at least it was more-or-less one color.
Actually, there was also some hideous solid orange (well, modulo the bits with various stains) carpet at the Museum of Contemporary Art today, but the little sign claimed it was a deliberate choice of an artist so I guess that makes it pardonable.
As anticipated, I spent the afternoon goofing off: I had lunch at the Goose Island Beer Company on Clybourn, then walked back downtown and visited the Museum of Contemporary Art before returning to the hotel for the MPSA President’s Reception (key highlight: the open bar). Like yesterday, my feet are tired, but I suppose all the walking makes up for my general laziness in Jackson the last week or so.
Now I’m looking forward to getting back home tomorrow so I can get organized for the final two weeks of classes and see my “normal” friends again.
A few odds and ends:
Tonight I went to see an interesting slide show of installation art and sculpture by Renee Una.* The more I think about it, the more I realize that the only adjective I can apply to it is interesting; I’ve seen art by friends that I can say is “good” or qualitatively “better” than their other art, but I was unable to provide any sort of evaluative statement about Ms. Una’s art. Does art have to be good or bad, or can it just be interesting?