As mentioned earlier, I rented Love Actually and Lost in Translation last week. Not surprisingly, the combined effect of the films was to make me want to visit both London and Tokyo.

I think Lost in Translation was the weaker of the two films, although I did enjoy it nonetheless. Bill Murray and Scarlet Johanssen both gave excellent performances, the film deftly avoids a cliché resolution, and the cinematography was outstanding, but the whole is ultimately unsatisfactory—although I can’t really put my finger on why. Perhaps the weakness is simply relative to the amount of hype the film received.

On the other hand, Love Actually was a supremely enjoyable film, with excellent acting, an engaging plot, and (also) outstanding cinematography. In terms of story construction, the obvious referent is Robert Altman’s Short Cuts, but Newell uses that framework in service to a more comedic story. A minor demerit for the use of Rowan Atkinson in a throw-away role; if you’re going to use him, put him in a real role (a sin also committed less egregiously by Newell’s Four Weddings and a Funeral).

The only other problem with Love Actually is that the widescreen cinematography used—on the order of 2.8:1 2.35:1—would make the film virtually unwatchable on a standard 4:3 television set (and thus seems inappropriate for a comedy). Luckily, as I mentioned before, it did play on my laptop’s 1.6:1 display, though even there was ample unused screen real estate at the top and bottom of the screen.